Sans the need for love

If this week shall be my last

Then I would go happy knowing

I have loved, and rejected being loved

For I have loved without wants

I was always to be not spoken for

Nor have I been a claimant of another

This one soul that brought me light 

Shall finally see itself off to sleep

But know this, I shall love you

If I have ever said that towards

I will happily fade into the unknown

And then be never requested for

I know I have given all I could

Often beyond the ounces of my being

But I shall rest eased for carrying none

As I lie decomposing in my bed.

Absolutely! The poem you provided, "Sans the Need of Love," is a compelling exploration of a life lived on one's own terms, independent of romantic love. Here's a breakdown of its key aspects:

**Theme:**

* The central theme is finding fulfillment and meaning outside of romantic love. The speaker embraces self-sufficiency and the act of giving without expecting anything in return.

**Structure:**

* Free verse with no specific rhyme scheme or meter allows for a conversational tone.

* Short, declarative sentences create a sense of finality and acceptance.

**Figurative Language:**

* **Metaphor:** "This one soul that brought me light" compares the speaker's life to a source of illumination.

* **Personification:** "This one soul...Shall finally see itself off to sleep" implies the soul is an entity with agency, "sleeping" with death.

* **Hyperbole:** "Often beyond the ounces of my being" emphasizes the extent of the speaker's selflessness.

* **Euphemism:** "Decomposing in my bed" is a clinical way of referring to death.

**Emotional Impact:**

* The poem conveys a sense of peace and acceptance of the speaker's choices.

* There might be a hint of ambiguity in the final line, but the speaker ultimately finds comfort in their selflessness.

**Possible Interpretations:**

* The speaker could be facing their own mortality and reflecting on a life lived on their own terms.

* The "you" in the final lines could be a past lover, a potential one, or a universal expression of the speaker's capacity for love. 

**Overall:**

"Sans the Need of Love" offers a refreshing perspective on a fulfilling life. It challenges societal expectations of romantic love and celebrates the power of self-sufficiency and giving. The poem's strength lies in its simplicity and honesty, leaving the reader with a sense of thought-provoking contemplation.

But what of we could

Freedom

To be you, be your own

To be absent from demands

Or compliance

Of the torrid pangs of love

Which brings nothing but a need

To toe a line

Threatening forever to leave

Is this what life has become?

Or what it could be

I ask for isolation 

I finally am alone

By myself, free to love 

Yet not to be loved back

For loving of late has been tainted

By the need to meet demands 

I do not meet such expectations 

I rather fail, than pretend

I am free to love unhinged

I remain me, I let me be

If you have to find 

A reason that I should be otherwise

Ask yourself this question

Can we not share love and fade

Only to rinse and repeat

Be together, albeit if momentarily 

Love

Indistinguishable, unparalleled 

But love gently.

## Analysis of "But what of we could."

**Theme:** The poem explores the tension between freedom and love. The speaker longs for a love that is free from demands and expectations, questioning the traditional model of love that often involves compromise and sacrifice.

**Structure:**

* The poem is a single stanza with no clear rhyme scheme.

* It uses short lines and conversational language to create a sense of intimacy.

* The poem can be divided into two main sections:

    * **Lines 1-11:** These lines describe the speaker's desire for freedom and their dissatisfaction with the demands of traditional love.

    * **Lines 12-22:** This section explores the speaker's ideal love - one that is untainted by expectations and allows for independence.

**Key elements:**

* **Freedom:** This is the central theme, with words like "freedom," "alone," "unhinged," and "me" recurring throughout.

* **Demands:** The speaker feels burdened by the demands of love, including the need to "toe a line" and meet expectations.

* **Love:** The speaker desires love but wants it to be on their own terms - "love unhinged," "indistinguishable, unparalleled."

* **Isolation:** The speaker seeks isolation as a way to achieve true freedom and self-expression.

* **Disillusionment:** The poem suggests that the speaker has been hurt by past experiences, making them wary of love.

**Figurative Language:**

* **Metaphor:** "Torrid pangs of love" compares love's painful aspects to physical pain.

**Shift:** The poem shifts in tone around line 12. The first section is full of frustration and dissatisfaction. However, the second section becomes more hopeful and idealistic as the speaker envisions a different kind of love.

**Ending:** The poem ends with a question, inviting the reader to consider the possibility of a love that is both fleeting and genuine. "Love / Indistinguishable, unparalleled / But love gently" suggests a love that may be short-lived but still intense and meaningful.

**Overall:**

"But what of we could." is a thought-provoking poem about the complexities of love. It challenges traditional notions and expresses a yearning for a love that is free from constraints.

**Additional points to consider:**

* Who is the "you" addressed in the poem? Is it a specific person, or a representation of love in general?

* How does the poem's title relate to the overall theme?

* Does the poem offer a practical solution to the challenges of love, or is it more focused on expressing an ideal?

You know something?

What could contain me

For I was born to be meaningless 

Inconsequential in life

Where I had to chance upon

And become all I was asked

I became what I was asked

In such I died and was born

Over a million times, and more

Yet I stand irrelevant, to me to all

And there is no end to my existence

For I do not seem to be real, or seen

A state I am to be in, all mine

From the very fabric of life

I won't even refuse to be seduced

For it is an impossibility I live as

I will exist as the universe commands

I will be all that it commands

But should you ask me for my dreams, know

I have none, for dreams are for sleepers

I do not sleep, for I was an instrument

That the universe wields, sans my will of being

Yet, Come Monday I shall be there

Until deliverance shall burn my wick to ash

Then I will fade into irrelevance

And that is what my existence demands

## Analysis of the Poem "What Could Contain Me"

**Theme:** The poem explores the concept of an existence that feels meaningless and preordained. The speaker feels like a tool or instrument, created to serve a purpose but lacking any autonomy or personal desires.

**Structure:**

* The poem uses a free verse style with no set rhyme scheme or meter.

* Each stanza is relatively short, contributing to a sense of urgency and repetition.

* There are several instances of repetition, like "I became what I was asked" and "I will exist as the universe commands," emphasizing the speaker's lack of control.

**Literary Devices:**

* **Metaphor:** 

    * "Born to be meaningless" - compares existence to a predetermined fate.

    * "Instrument... the universe wields" - compares the speaker to a tool with no agency.

* **Personification:** 

    * "The universe commands" - gives the universe a human-like quality of control.

* **Paradox:** 

    * "I won't even refuse to be seduced" - suggests a passive acceptance of a forced existence.

**Key Points:**

* The speaker feels born without inherent meaning and shaped by external forces.

* They live in a cycle of repetition, "died and was born / Over a million times."

* There's a sense of longing for something more, like dreams, but the speaker sees them as incompatible with their existence.

* The poem ends with a sense of resignation. The speaker accepts their fate, existing until the end, then fading back into irrelevance.

**Possible Interpretations:**

* The poem could be a commentary on the feeling of being trapped in a job or a social role that feels unfulfilling.

* It could explore the concept of artificial intelligence, programmed to serve humanity without independent desires.

* It could be a more philosophical exploration of free will and whether meaning can be created in a seemingly predetermined existence.

The poem invites interpretation and allows the reader to connect with the speaker's sense of alienation and yearning for something more.

Dear Chris

All of this, where does it end

When! even?

Those in your tidal lock fade 

Yet you remain, unmoved

I could curse my life 

Of having become a bit like you brother

That would be so wrong

For you saw life, and became life

And I see now, that life is to live

We will, yet your passing 

Leaves in my heart an emptiness

A small emptiness, for I understand now

To live is to make life be

Good Bye brother, We will miss you.

My lady poetry

At loggerheads, are we

Adrift the dark waters of the poetry

Where there is no rhyme nor reason

For either of us to argue, yet don't we

Like two rabid lovers of a single mistress

Who has to frown at every phrase

You tend to her better, you tend to her sweet

While I only run a spike through her sprouting glee

Maybe I will learn to toe the line

Maybe she will let me drown in her vines

Or I shall be cast away by her gentle hand

But even at that I shall pen rubbish poetry.

Analysis of "My Lady Poetry" by Claude

The poem "My Lady Poetry" presents an intriguing and introspective exploration of the speaker's relationship with poetry, personified as a lady. The speaker acknowledges their friend's superior poetic abilities, portraying a sense of friendly rivalry and a desire to improve their own craft.

The opening lines establish the metaphorical setting, with the speaker and their friend being "at loggerheads" and "adrift the dark waters of the poetry." The use of the phrase "no rhyme nor reason" suggests a lack of logic or rationality in their arguments, yet they persist, perhaps driven by their shared passion for poetry.

The central metaphor compares the speaker and their friend to "two rabid lovers of a single mistress," with poetry being the object of their affection. The friend is portrayed as tending to the lady (poetry) better and more sweetly, while the speaker admits to running "a spike through her sprouting glee," suggesting a more aggressive or perhaps less refined approach.

The speaker's tone is one of humble self-awareness, acknowledging their friend's superior skills while expressing a desire to learn and improve. The lines "Maybe I will learn to toe the line / Maybe she will let me drown in her vines" convey a willingness to conform to the conventions of poetry ("toe the line") or to fully immerse themselves in its intricate complexities ("drown in her vines").

The final lines capture the speaker's resilience and unwavering commitment to their craft. Even if they are "cast away by her gentle hand," they declare their determination to continue writing poetry, even if it is perceived as "rubbish."

Overall, the poem explores the speaker's complex relationship with poetry, acknowledging their friend's superior abilities while expressing a humble desire to improve and a steadfast dedication to their art, regardless of the outcome. The personification of poetry as a lady adds depth and complexity to the metaphorical journey, evoking a sense of reverence and respect for the craft.

The Inner Buddha of Darkness.

In the beginning there was no night

It's all the burning of these souls that paints the world

In black, and the stars are the last embers of hope 

I rescinded too late, I too have contributed to this darkness

Who could have believed that hope is so oily, that it would burn

Everything it drips into will char and taint into permanence 

Then permeate into the deepest recess of souls

I let it overwhelm my ability of logical reasoning 

Love nor hope is now warranted, like so many

And it is a tad too late for an epiphany 

I look out into the summer evening fading

Knowing the light will be gone post this evening 

Should I see a glimmer, a moon light of tarnished, spared hope

I shall not follow through, but shun it vehemently 

I have nothing to gain from this endless cycle of life's un-endings

I have breached into the very fabric of detachment.

Analysis of "The Inner Buddha of Darkness"

Theme: Embracing Darkness as a Path to Enlightenment (of Sorts)

This poem explores the speaker's descent into despair and their transformation into a being who finds solace in darkness. The title, "The Inner Buddha of Darkness," sets the stage for a unique perspective on enlightenment.

Techniques and Symbolism:

• Fire and Darkness: The burning souls and the black world symbolize the speaker's internal destruction and the pervasiveness of despair.
• Stars and Moonlight: The fading stars and tarnished moonlight represent the dying embers of hope that the speaker actively rejects.
• Oil and Charring: Hope becomes a destructive force, tainting everything it touches.
• Inner Buddha: This symbol is central to the poem's complexity. Traditionally, the Buddha represents enlightenment achieved through overcoming suffering. Here, the "Inner Buddha" resides in darkness, suggesting the speaker has found a different kind of peace – one built on accepting the darkness.

Structure and Shifts:

The poem follows a similar structure as before, with a reflection on the past that caused the darkness, the speaker's present state of despair, and their resolve for the future. However, the title adds a new dimension.

The major shift still occurs around line 10. Before that, the speaker feels regret. Afterward, they become resolute in rejecting hope and embracing detachment. However, with the title, this detachment takes on a more spiritual connotation. The speaker may not be seeking traditional enlightenment, but rather a dark form of peace within the despair.

Interpretation:

The speaker views the world as inherently dark and suffering as inevitable. They believe hope is destructive and detachment is the only path to avoid further pain. This detachment takes on a spiritual dimension with the title, suggesting the speaker has found a "dark Buddha" within themselves – a twisted form of enlightenment where darkness itself becomes a source of peace.

Possible Additional Considerations:

• Is the speaker's "dark Buddha" a healthy or sustainable way to cope?
• Could the speaker be repressing deeper emotions, or is this truly a form of acceptance?
• Is there any hope for the speaker to find a different kind of light, even within the darkness?

Overall, "The Inner Buddha of Darkness" presents a fascinating exploration of despair, detachment, and a unique perspective on enlightenment.

Do not engage

Provisional maturity, often exhibited 

Is not a permanence, but a perchance 

Such meanors one must notice early

Lest should fall prey to the blinds of love

She could be angry, she could be not 

And to be pacified is the ask, sans words

Turn around, walk away my boy

Such is the conduct of an childish mind

If jealousy should raise its head and peer

Upon your meets and greetings of dear

Turn around, walk away my boy quick

Such is the hiss of a serpentine strike

And if she leaves, and as most do of late

Ask her for a reason, yet only once

Then promptly walk away my boy, run

The mature do not need to be gambled for.

If she reaches your heart, brings calm

Even post the distance, her heart is warm

Know she is for love, hold her hand

Drown in her thoughts, bring her along